I’ve been working very hard to finish a year long project that I’m planning to share in late December but in my down-time I’m enjoying short and fun online classes and workshops. The latest was Inspired by Pattern, another paint-along workshop by Gayle Kabaker and Jennifer Orkin Lewis.
I’ve always leaned toward the “less is more” end of the design spectrum so this was a real stretch for me. You can see when I painted along with Gayle my pattern making only extended to the flowers in my model’s hair. I’m still pleased since I’m trying to use more warm hues, especially yellows, in my work.
If you’re interested in joining another one of these workshops, Gayle and Jennifer are going to do another on Monday, December 6th. This one will be a holiday card themed class and you can find out more HERE.
Over the years our extended family has gone camping over Columbus Day / Indigenous People’s Weekend. 2012 marks the start of the family pumpkin carving ritual and my ritual of documenting the artwork in my journal.
The more members of the family, the more come camping, the more pumpkins to carve, and the more pumpkins to draw and paint.
And we love every minute of our Pre-Halloween festivities!
2017 – Sorry, no sketchbook page… we were unable to join the group this year.
It has been four and a half years… yes YEARS… since I painted my last EDM challenge item.
EDM stands for Every Day Matters and is a list of 328 items to draw or paint. It was created by Karen Winters to help artists create a daily practice without mulling over the eternal question, What should I draw today? I’ve been oh so sloooowly working my way though the list but never have I gone this long since my last entry. I painted number 122- draw something where shade is a prominent part of the subject, back in March 2017. Ouch.
EDM 123 – Draw a bell.
Yes, it’s a bell… a Christmas ornament bell. I had to dig around in the closet to find it and now that it’s out early I guess I’ll have to find a safe spot for it to rest until it can take it’s rightful spot of honor on our holiday tree!
Since I haven’t been able to get to the shore and walk the beach this year, or last year for that matter, I have been longing to escape. Painting with buff and ochre for beach sand, cerulean and ultramarine for sky and sea, brought the ocean to my drawing table. My goal was to paint along during the hour and a half presentation. It felt so good to stretch my artistic muscles.
Earlier this year I swore I wouldn’t sign up for any classes this year. Instead, I said to myself, I’ll work through some previous classes that I haven’t finished and also revisit some classes that I found particularly useful.
That lasted two whole months when I caved and signed up for Sktchy’s 30 Gouache Portraits in 30 Days. Confession time… I completed exactly ZERO portraits. That just means I can add that course to my burgeoning list of uncompleted art classes.
I continued to work on my other art projects including my tenth Fake Journal for International Fake Journal Month in April, re-scanning most of my fake journal pages, and creating slideshows for each one. (By the way, if you haven’t had a chance to see my fake journals please visit my dedicated Fake Journal blog, Skylark Karma, skylarkkarma.wordpress.com. All the videos will be posted by Wednesday, June 23rd and the final wrap-up of my entire Fake Journal experience is scheduled to post on Friday, June 25th).
Anyway… did I learn my lesson about signing up for classes? No, not really.
I tried to ignore the emails from Sketchbook Skool but the lure of a half-day workshop on creating art and calligraphic text with a dip pen was just too good to pass up. Danny Gregory, one of the founders of Sketchbook Skool, was sharing his tips and tricks.
I already had the dip pens, assorted nibs and a few bottles of India ink… how could I pass it up!
We first practiced our strokes and drew a couple of drawings while Danny filled us in on the pros and cons of working with dip pens and showing how he creates his freeform calligraphy alphabet. I took notes and worked along with the webinar.
I inked this quote of Paul Klee’s along with Danny, copying his alphabet stroke for stroke and line for line. When I opened my book the next day, the large open space to the left just begged for an illustration. Out came the dip pen, G nib, and India ink but this time I was much more confident of my line.