Earlier this year I swore I wouldn’t sign up for any classes this year. Instead, I said to myself, I’ll work through some previous classes that I haven’t finished and also revisit some classes that I found particularly useful.
That lasted two whole months when I caved and signed up for Sktchy’s 30 Gouache Portraits in 30 Days. Confession time… I completed exactly ZERO portraits. That just means I can add that course to my burgeoning list of uncompleted art classes.
I continued to work on my other art projects including my tenth Fake Journal for International Fake Journal Month in April, re-scanning most of my fake journal pages, and creating slideshows for each one. (By the way, if you haven’t had a chance to see my fake journals please visit my dedicated Fake Journal blog, Skylark Karma, skylarkkarma.wordpress.com. All the videos will be posted by Wednesday, June 23rd and the final wrap-up of my entire Fake Journal experience is scheduled to post on Friday, June 25th).
Anyway… did I learn my lesson about signing up for classes? No, not really.
I tried to ignore the emails from Sketchbook Skool but the lure of a half-day workshop on creating art and calligraphic text with a dip pen was just too good to pass up. Danny Gregory, one of the founders of Sketchbook Skool, was sharing his tips and tricks.
I already had the dip pens, assorted nibs and a few bottles of India ink… how could I pass it up!
We first practiced our strokes and drew a couple of drawings while Danny filled us in on the pros and cons of working with dip pens and showing how he creates his freeform calligraphy alphabet. I took notes and worked along with the webinar.
I inked this quote of Paul Klee’s along with Danny, copying his alphabet stroke for stroke and line for line. When I opened my book the next day, the large open space to the left just begged for an illustration. Out came the dip pen, G nib, and India ink but this time I was much more confident of my line.
As a single signature it was vulnerable to creasing without the protection of its companion signatures and hard cover. The best way to offer additional protection would be to either make a slipcase or a wrap.
I would have preferred to make a slipcase but since the signature was so thin I realized it would be difficult to measure, cut and glue a slipcase that slim; the wrap was the better alternative.
I first painted a sheet of 300 gsm / 140 lb. watercolor paper with dilute acrylic paint and cut it to allow the flaps to overlap and cover the signature. I rounded the corners and made two tabs with corresponding slots for the closure.
The wrap has nearly no spine thickness to accommodate labeling so I put all the necessary information on the front of the wrap.
It’s now off my work desk, well-enough protected to be filed away as finished, tucked away with my other previously completed sketchbooks in one of my “remote” storage boxes and I’m ready for the next project.
This was created in Laure Ferlita’s online Earth Day Heart ZOOM class which I took last week. Laure kindly provided us with the design and lettering along with detailed instructions so we could all be prepared to just jump in and paint along with her during our hour long class.