When I started this portrait I had to keep reminding myself to take it slow and stop now and again for photos… success!
Again I used just a few pencil guidelines as reference for my first light watercolor washes.
After they dried I put in the background wet in wet.
It seems I’m always waiting for paint to dry but I love the look when it dries naturally. I have a heat gun I could use but then the background would dry before the paints had a chance to mingle and create the beautiful mottled surface.
Next it was time to add more skin tone glazes and figure out how to portray beard stubble… I dabbed the color on with my finger!
I really need to see if I can correct that left eye… the inner corner should be a tiny bit lower.
More layers to suggest his laugh lines and it’s time to stop before I start fiddling. I peeled off the artist’s masking tape… signed it… dated it… and done.
Pencil and Watercolor in an 8 in. square HandBook Watercolor Journal. Portrait of a muse from Sktchy.
Starting a portrait can be intimidating. I’m often left wondering how and where to begin. How do I want the finished project to look? Do I want to use pencil or ink for the basic drawing? Do I want the coloring to be subtle or bold? What to do first?
Here I quickly sketched her in pencil and then put in light washes for her skin tones and shadows before putting in the background wet in wet. I decided to aim for bold.
It’s fortunate I remembered to stop and take a photo. I so often get in the flow, keep painting and only when I’m finished think how a few early photos would help me as a reference for techniques I could use when starting another project.
I had masked off a frame using 1/2 inch artist’s tape which allowed the painting to have a nice crisp edge as it floats on the page. It’s definitely a technique I’ll be trying again.
You’ll see… I’ll share another on Monday. In the meantime, Happy Groundhog Day!
Pencil and Watercolor in an 8″ square HandBook Watercolor Journal. Portrait of a muse from Sktchy.
When it’s cloudy, cold and windy and summer’s only a memory I seek respite by enjoying one of the best gifts of winter. It’s the season of fresh sweet citrus.
I was inspired to pick up these two Sumo Mandarins at our local co-op particularly because they still had their leaves and stems attached.
Subjects for my next watercolor experiment? It was their destiny!
I hear they’re usually larger than my two but they’re as delicious as advertised. Thank goodness the season is young.
I’ve long been a fan of online art classes and Sketchbook Skool in particular so you can imagine how excited I was to sign up for their brand new watercolor class, Watercolor Rules and How to Break Them. I’ve loved adding watercolor to my drawings and sketchbook pages but I’ve often wanted to dive deeper into the whys and wherefores of the medium.
Signing up was a given.
After waiting impatiently all summer I finally started in last week with our first assignment… learning about colors and pigments by mixing and creating color wheels from the paints in our palettes.
My palette contains both a warm and a cool version of the three primaries along with a few neutrals and a surprise color or two. One evening I sat down and made my color wheels using all the combinations of those primaries… the neutrals and surprises will have to wait.
I think my favorite wheel is the cool yellow, cool red, warm blue… the one on the right in the image below. It makes slightly neutralized yet natural oranges and greens as well as bright violets.
But as you can see, there are more lovely mixes in each of these wheels.
There was also an additional but optional homework assignment to paint a still life without the safety net of an ink or pencil under-drawing… and create it using only three primary paints. I just couldn’t limit myself to those three and found myself sneaking other colors into my mixes.
I foresee pomegranate seeds on my salad now that they’ve done their modeling. Delicious!
I spent July continuing my watercolor portrait practice. These two were inspired by fellow Sktchy member, Lauren Arno, who challenged us at various times during the month!
And… in just over a week I’m also going to take her online watercolor class through Sktchy. I’ve always felt there’s no better way to expand my repertoire than by taking classes.
Color me happy!
Where does the time go? This morning I realized I haven’t posted in over a month and yet I’ve completed 2 additional sketchbooks since then.
I guess I’ll start in by showing you a few of my favorite portraits from May and one from early June. All were drawn from photographic references posted on the Sktchy app by other creatives. You’ll see I often switch things up by sometimes forgoing my beloved ink lines and instead choose to sketch in pencil before I paint. There’s a different feel to each of these methods but I enjoy them both.
This month watercolor was my only constant.
Finally! I hereby present the final five direct paintings I did for the June challenge.
Even with all its flaws I actually prefer the quick thumbnail portrait on the left to the more detailed portrait I did to follow. Again from a Sktchy photo.
More negative painting practice. I pulled out a teeny-tiny brush to do the darker lettering.
My ever-present studio companion. He truly is only 4 inches tall!
From another photo found on Sktchy. I had a vision of a zen monk in deep meditation.
Last day of June! Marquette grapes make darn good wine… they’re cold-hardy and they grow in Vermont!
Looking back on the month of paintings I can see where I fail but more importantly I see where things went right… things I learned and want to repeat. It was a great month!
Marc Taro Holmes calls it direct watercolor while Liz Steel says straight to paint. Either way it’s quite the challenge to visualize the page and paint without a structural underdrawing.
I’ve now completed two thirds of the month’s challenge and I’m definitely more comfortable handling my brush and paints.
I took my paints to an outdoor concert. Great subjects but my painting was cut short as I spilled my water! Sigh.
I have a thing about ampersands! I discovered that I should have done the shading before I painted the details. More negative painting practice again.
Painted from a Sktchy photo. Another negative painting practice and another one of my favorites.
Foxgloves. I can’t grow them but I’m glad my friend can!
Cool and refreshing sour cherry cider! Another one of my favorites. I know many artists don’t like the blooms, also known as back-runs, but I love the variation in hues and the fuzzy edges.
Ooops… Somehow I must have had a brain cramp… this should have been published last Friday. Well, it’s here now and I’ll just push the others back a few days to compensate.
These five are the start of the second half of the challenge. I’m much less stressed and more inclined to just start in and see where my brush takes me.
Two quick views across the pond. This is one of my favorites because I can see myself using this technique on vacation.
Another people spread. I’m particularly fond of the woman with dog in the upper right. Just a few brush strokes allowing us to fill in the details ourselves.
My favorite pitcher! Not only does it glug-glug-glug when it pours but with its beautiful coloration it’s a great subject.
Another fun pitcher to paint!
Dogs… I really miss my ink when I’m painting them! They move so fast… I should be painting sleeping dogs instead.
See you in a couple of days for the next installment!
Here I am fully one third of my way through the month and I’ve finally given up on perfection. I’ve started to “lean in” as the contemporary lingo says.
I love a few in this group but one of them in particular got away from me… it’s a real dog! (wink-wink)
I wanted to try something that had both wide swaths of color along with fine detail. This bottle had both.
Woof! Done from a photo on Sktchy.
Lesson One from Wil Freeborn’s book Learn to Paint in Watercolor with 50 Paintings. Who knew doughnuts would be such great subjects!
Out with my plein air group… just starting to get comfortable balancing my sketchbook, paints, and water jar without getting soaked… done that before.
Lesson Fifteen from the same Wil Freeborn book. I think this technique would be great to capture the Adirondacks across Lake Champlain.
More on Friday… until then have a great day and a wonderful Independence Day to all of us in the States!