I’m drawing & painting from a photo posted all over the internet. Credit goes to Win McNamee/Getty Images. Ms. Cheney is not looking at the camera but try as I might, I just cannot paint her eyes to show how she’s looking straight ahead to the video setup. I must have painted & blotted three or four times. Finally, I just have to accept it.
“Tonight, I say this to my Republican colleagues who are defending the indefensible: There will come a day when Donald Trump is gone, but your dishonor will remain.” —- Liz Cheney 09 June 2022
These eyes are from the final image… notice the more rounded iris on the left… still a bit cross-eyed… but nowhere near as bad as in my first draft.
Over the summer I painted this fella from a photo in the Sktchy app on my phone. First I drew in a rough sketch in pencil and then painted a light base layer.
I’m using an Arteza Watercolor Journal – 9 in. X 12 in. This paper sucks up paint and I knew I needed layers to get the desired contrast and vibrancy.
Better. I even thought I was done. But no. I’m sure you can see it too… there’s something wrong with the eye on the left. His eyes aren’t tracking correctly… he’s cross-eyed in my journal but not in his photo. (I’m sorry I can’t show you the photo but he owns the copyright and I don’t have permission to post it. You can see it linked to my work in Sktchy.)
Anyway… it sat on my desk for months before I attempted the fix. It’s subtle, but I rounded the iris on the left hoping to separate the two irises and correct his focus. It seems to have helped… sort of… not entirely, but it’s time to move on, turn the page and select another victim.
Last weekend I planned to be in White Plains, New York for Veronica Lawlor and Melanie Reim’s three day Life Drawing Symposium, but the COVID-19 pandemic had other ideas. After nearly a year of expectation I was bummed even though the cancellation was inevitable. But Melanie and Ronnie came up with a delightful back up plan… they presented a Mini Life Drawing Symposium on Zoom!
I’m no expert but this was the best Zoom meeting I’ve ever had. The lessons and their timing were well planned with no wasted time. The morning session’s focus was on thumbnails and composition while the afternoon session was all about hands and portraits with expression.
Lori Hammel was the model-actor we had for the afternoon session and she was very expressive as we had a minute or so to capture her emotions on paper.
Thank you Ronnie and Melanie… you’re both wonderful teachers and having this chance to experience your lessons has only strengthened my resolve to take the next in-person symposium. Fingers crossed for June 2021!
The Coronavirus pandemic has all the world’s inhabitants on edge, including me.
As we search for ways to cope some people turn to information gathering, some turn to science and others to their faith. Some, like me, turn to all of these and run it through the “art filter” in our brains.
This information goes into my addled brain, swirls around as I try to make sense of it, and then comes out through my hand onto my journal pages. Often it’s still an entry of jumbled thoughts, but I’m comforted by the act. It’s one small way I can adapt… an arrow in my quiver of coping mechanisms.
As I wrote on my March 16th journal spread, “The only thing constant is change.”
(My take on Edvard Munch’s The Scream, and two Sktchy portraits in a Hahnemühle Nostalgie Sketch Book – A5 portrait) (some text obscured for privacy.)
Not only is Panera a great place to meet friends for lunch but there are always plenty of interesting victims subjects to sketch. I had a great time catching up on everyone’s comings and goings as I practiced with my Sailor Profit fude nib pen.
I also tried out a new charcoal pencil that works like the old style peel-away China markers. You can see that image in the top left of the next image. I usually don’t like working with charcoal or even graphite in my sketchbook as it smears too much but I couldn’t wait to give it a go.
I’ll think I’ll save the charcoal for life drawing and keep on working with ink and watercolor in my sketchbook. Both the paper and my hands stay cleaner that way.
I love watersoluble pen and ink work because sometimes you feel like keeping a line and sometimes you don’t.
On Roz Stendahl’s blog and her Patreon site, Roz Interim, she demonstrated the Pentel Sign Pen – Artist Micro Brush. They’re dye based and water-soluble, perfect for shading with a touch of water, and on top of that they have a super fine brush tip! You can see that in the photo below.
I was able to find both sets of 6 at my local Michael’s and immediately set to testing.
Portraits don’t always have to be realistic, do they?