Finally! I hereby present the final five direct paintings I did for the June challenge.
Even with all its flaws I actually prefer the quick thumbnail portrait on the left to the more detailed portrait I did to follow. Again from a Sktchy photo.
More negative painting practice. I pulled out a teeny-tiny brush to do the darker lettering.
My ever-present studio companion. He truly is only 4 inches tall!
From another photo found on Sktchy. I had a vision of a zen monk in deep meditation.
Last day of June! Marquette grapes make darn good wine… they’re cold-hardy and they grow in Vermont!
Looking back on the month of paintings I can see where I fail but more importantly I see where things went right… things I learned and want to repeat. It was a great month!
Marc Taro Holmes calls it direct watercolor while Liz Steel says straight to paint. Either way it’s quite the challenge to visualize the page and paint without a structural underdrawing.
I’ve now completed two thirds of the month’s challenge and I’m definitely more comfortable handling my brush and paints.
I took my paints to an outdoor concert. Great subjects but my painting was cut short as I spilled my water! Sigh.
I have a thing about ampersands! I discovered that I should have done the shading before I painted the details. More negative painting practice again.
Painted from a Sktchy photo. Another negative painting practice and another one of my favorites.
Foxgloves. I can’t grow them but I’m glad my friend can!
Cool and refreshing sour cherry cider! Another one of my favorites. I know many artists don’t like the blooms, also known as back-runs, but I love the variation in hues and the fuzzy edges.
Ooops… Somehow I must have had a brain cramp… this should have been published last Friday. Well, it’s here now and I’ll just push the others back a few days to compensate.
These five are the start of the second half of the challenge. I’m much less stressed and more inclined to just start in and see where my brush takes me.
Two quick views across the pond. This is one of my favorites because I can see myself using this technique on vacation.
Another people spread. I’m particularly fond of the woman with dog in the upper right. Just a few brush strokes allowing us to fill in the details ourselves.
My favorite pitcher! Not only does it glug-glug-glug when it pours but with its beautiful coloration it’s a great subject.
Another fun pitcher to paint!
Dogs… I really miss my ink when I’m painting them! They move so fast… I should be painting sleeping dogs instead.
See you in a couple of days for the next installment!
Here I am fully one third of my way through the month and I’ve finally given up on perfection. I’ve started to “lean in” as the contemporary lingo says.
I love a few in this group but one of them in particular got away from me… it’s a real dog! (wink-wink)
I wanted to try something that had both wide swaths of color along with fine detail. This bottle had both.
Woof! Done from a photo on Sktchy.
Lesson One from Wil Freeborn’s book Learn to Paint in Watercolor with 50 Paintings. Who knew doughnuts would be such great subjects!
Out with my plein air group… just starting to get comfortable balancing my sketchbook, paints, and water jar without getting soaked… done that before.
Lesson Fifteen from the same Wil Freeborn book. I think this technique would be great to capture the Adirondacks across Lake Champlain.
More on Friday… until then have a great day and a wonderful Independence Day to all of us in the States!
After my first very uncomfortable 5 days of the Direct Watercolor challenge (see the previous post) I started to find my balance and decided to relax and just see what I could achieve without needing to create something “finished”.
The white iris is my first attempt at negative painting.
People! Thank goodness for Anne-Laure Jacquart’s YouTube video.
Yet more people practice… this time watching Trevor Waugh’s YouTube videos.
I have a few toys to model for me when I don’t know what else to paint or when it’s late as it was this night.
More negative and positive painting practice. I love this little jar, and yes… the jar has no e in saccharine, and no… saccharine is not better for me.
Committing to daily practice was key… and understanding that it was truly “practice” allowed me to start enjoying my painting time.
I hope you’ll come back Wednesday when the adventure continues.
I just finished a daily painting challenge for the month of June. This was all spearheaded by Marc Taro Holmes and the point was to create a daily watercolor without relying on an initial pen or pencil sketch for guidance.
Whew! Often I felt as if I was walking a tightrope without a net and at times I needed to talk myself through the fear just to start! I’d sit there with a loaded brush hesitant to touch the page.
But begin I did. These would never be considered among my finest work but I knew I’d never get to my goal without practice. I’m going to show you my month’s work in chronological order.
June 1st – Sktchy portrait
Poppies from my side garden, painted in plein air.
Our black kitty and her favorite spot.
Both of our cats as models.
As I wrote above… I was really missing having my pen lines to guide me. I think this marks the end of my whining and the start of me getting my brain thinking of seeing volumes instead of lines.
I’ll post the next batch on Monday… hope to see you then!
Last October I drew a portrait of a Sktchy muse, Ania H. , for the InkTober 2017 challenge. After finishing I stepped back and noticed how far off I had gotten with my proportions, her eye in particular.
Today I was challenged to revisit a portrait and redraw it using the same reference image. Finally… a chance for artistic redemption!
After daily portrait practice, not only can I see facial proportions better but I can translate them onto the page.
I love seeing them side by side!
It’s all about her eye isn’t it.
Everyone should approach a project with a few well considered goals.
I entered my March #30Pages30Days Sktchy challenge with these.
What might your goals be?
There are times when inspiration just isn’t to be found and you’re at a loss for an interesting subject. I know this intimately and I believe every artist goes through this at one time or another.
The essential question is how to escape the vortex. My tried and true models are always available to draw… I have three. My feet (slippered, socks, or bare), my hand (or hands), and my face (either a mirrored self portrait, from a photo, or from my imagination). Any one of these can spark an illustration and memories.
March was a month of reflection… but at least I wasn’t at a loss for a model.
I know I’ve snickered at the Weather Channel’s recent habit of naming our winter storms but that hasn’t stopped me from documenting them in my sketchbook.
Here in New Hampshire, Riley arrived before Quinn. (Skylar was documented with written journaling and no drawings.)
I’ve been drawing from photos people upload to the Sktchy app I’ve referred to before. When the snow’s falling and you can’t or don’t want to go out it’s wonderful to pick an interesting photo and just play!
I thought we were finished with the winter thing as Toby, Uma, Violet and Wilbur went elsewhere, but I was mistaken. Along came Xanto. It didn’t fizzle out as I had hoped and instead inundated us with nearly an inch of rime ice.
Yes, Xanto got his own page!
Let’s keep our fingers crossed that I won’t need to document either Yvonne or Zoey.
I’m ready for Spring!