Accordion or Concertina?

So what do you call it? Just wondering, but in my limited experience I believe the term most commonly used is accordion in the states and concertina in the UK. (An accordion to me is a musical instrument even though I’m in the states.)

I’ve been fascinated by concertina books for years, first with this book by Suzanne Hughes, and then with books like this one created by Lynne Chapman. (be sure to click on the full panorama at the end of her post.)

Then a friend turned me on to Ed Mostly’s blog, Mostly Drawing. Not only does he post beautiful artwork but he’s experimenting with book arts. Ed created a concertina book with overlapping covers for drawing support. I urge you to read this post as I could never explain his methodology as clearly as he does.

I was so intrigued I created two models with remnants from previous efforts.

Yeah, my books have issues. The folds don’t line up, the hinges could be wider, but all in all I’m quite pleased.


Ooops! Forgive the cat hair.

AND………. I kept the one with orange end sheets and sent the blue and green flowered one to my friend. Together we’ll see if they’ll work for us!

 

No, no… thank YOU!

Five Day Art Challenge – Day One

Have you heard of the Five Day Art Challenge? It’s been going around Facebook for a while. It’s premise is to post 3 images of your art for 5 days. A few weeks ago I was tagged by Roz Stendahl to participate. It was fun to go through my sketchbooks and look for themes and interests that emerged over the years I’ve kept my illustrated journal.

I may call what I do keeping a sketchbook but it’s much more than that. As I repost my images over then next few days I hope to give you a glimpse of how important these books are to me.

Today, day one, and I’ve chosen to show my first watercolor done almost 5 years ago. I cringe every time I see that gray blob that’s supposed to be a shadow!

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These 2 were done just a few weeks ago. As you can see, fruit is still one of my favorite models but I’m also continuing to work on capturing a much wider scene.

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Check back tomorrow for Day Two.

Sketchbookery Sketchbook and a Fix!

Tuesday is new lesson day in Sketchbookery… and I spent the afternoon watching class videos. ( … and Germany slaughter Brazil in the World Cup semi-final.)

I also made a certified Mary Ann Moss sketchbook!

The covers were salvaged from an old copy of A Manual of Style selected for its gorgeous orange color… that and the fact that it only cost 50 cents! No bookbinding tape so I needed to get creative when it came to making the spine.

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I’ve done some bookbinding and have made homemade book cloth by bonding a length of fabric to tissue paper using fusible web… something like Wonder-Under or Heat n’ Bond Lite.  That I had!  I cut a 2 inch strip and bound it to the covers using PVA glue just like Mary Ann showed. Want to do this but don’t think you have PVA? Well, that’s what Elmer’s glue is! Yeah, maybe it’s not “archival” but I’m making this for me… not for eternity!

After it dried it was time to pouch the holes. Nope, no fancy Japanese Hole Punch thingie either.  Just used my thickest awl, a sharp needle (ouch) and standard 4-ply bookbinders thread.  Love the look… but it doesn’t stay completely closed!

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Maybe I have too many papers or they’re too thick or I didn’t bone them down enough to get a good crease but at an inch it’s just a titch too tight at the spine. But I can fix that too!

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I made an elastic band to go around the journal! Actually, I make them for all my journals. I schlep them around in my purse and the band keeps the papers from getting dinged up. If you’re interested in making one for your sketchbook, it’s just a 2 inch band of elastic I got at my local Joann’s, stitched together with the raw edges sealed with a zig-zag stitch. Nothing fancy.

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Now for the unexpected benefit of the elastic band… It keeps my pen with my sketchbook and I never have to hunt for the pen in the black hole that is the bottom of my bag!

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You can see it’s fairly low profile, protected as it fits in the space between the pages and the edges of the cover. My Lamy shown here is a thick pen; if you carry something thinner like a Micron, it’ll nestle right in there.

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Can’t wait to use it but I guess sketchbooks are like potato chips… can’t make just one. Sketchbook #2 is drying right now!

Stillman & Birn

For the last year or so I’ve been following the Stillman & Birn blog and entering each giveaway as they are posted but no luck until earlier this month! I’m so excited… I was one of the winners of the February giveaway! I was given a set of 12 Caran d’Ache Museum Aquarelle watercolor pencils and a choice of either a Beta or Zeta 8.5″ x 11″ sketchbook.

I’ve been using a Stillman & Birn Alpha sketchbook for the the majority of the pages seen on the blog lately and I love the white vellum pages. After searching the blog for other artists’ images, I decided to opt for the Beta.  Same white pages but thicker and slightly more texture… it’s billed as cold pressed.

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Stillman & Birn Contest 2

I hate to have more than one sketchbook going at a time… it’s one of my many quirks… so the Beta will just have to wait it’s turn, but it’ll definitely be next.

I’m also going to have fun playing with the watercolor pencils. This  set of 12 has both a warm and cool of the three primaries, two greens, two earth colors, a gray and a black… it seems to be a perfect basic combination!

 

Thanks Stillman & Birn!

New Sketchbooks… Finally!

Five months, that’s how long it took me to finally finish my new books!

Way back in September I tore down a dozen sheets of Strathmore 500 Mixed Media paper, one of my favorites for visual journaling. Folded into folios and collated they formed 36 signatures… 72 folios, 2 folios per signature. Using 9 signatures each I was able to make four book blocks.

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As I bound them I included sewn-in endsheets of a single folio of Canson Mi-Teintes. Clockwise from upper left:  South Seas, Parma, Green and Plum.

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And then they sat, taunting me from the carry-case where I put them, safe ’till I could glue up the spines and case them in. There was plenty of time to finish them but every day brought more procrastination.  As I was working on my TO DO list I realized I could accomplish a lot by just finishing those d*#n books!

I set to work collecting my tools and supplies… pencil, ruler, X-acto knife, PVA, mull, book cloth, and cover paper.  Cover paper! … but I don’t have any!

I decided to paint my own cover paper using another Strathmore paper, this time their Aquarius II. Luckily I had some in my stash. It’s a cotton/synthetic blend which resists buckling when painted, even with very wet media. I’ve been experimenting with acrylic inks and decided to color coordinate them with each journal’s end sheet.  Monday afternoon I splashed water and inks, mostly playing wet in wet but also testing drawing with black ink and filling the shapes with color. The pomegranate paper came from that trial… I love it!

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If you look closely at the dots in the uppermost turquoise book you can see I also used a little pearlescent ink for shimmer. Acrylic inks don’t change the hand of the paper and aren’t sticky as acrylic paint often feels, especially if the paint is layered on too thickly. I noticed on my previous journals my handmade book cloth didn’t hold up very well. The corners wore down to the boards, most likely due to the use and abuse my journals get knocking about in my purse. I always have one with me.  This time I used commercially made navy book cloth for both blue papers and black for the others.

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Ta Da!!! Four NEW approximately 8 inch square sketchbook-journals!

Hmmmm… I love them all… which one is your favorite?